Reconstructed note-constellation of Nadezdha

This is one of the graphical note-transitions of Evgenova. As stated in the previous post, she believed that the right repetition of constellations like this one could lead towards the ideal composition and furthermore to the transcendent state of endless consciousness.
In her notation there is only one key, and as many notelines as wished. The C-4 is where the lower bow of the violin-key touches the line.

In the next picture it is clearly visible that the notes are built on direct graphical translation of different starsigns. Among them the constellation of heracles and the constellation of the cancer.

The whole constellation played out, would sound something like this.